I’m very fond of the British seaside. Not so much in a twee “OMG, let’s take photos and eat candyfloss!” kind of way – although that can be fun – but because there is so much to genuinely love about these former tourist traps, with their juxtaposed tackiness and architectural charm. I spent a lot of my childhood holidaying in Britain, as opposed to going on package holidays to places like Tenerife or The Costa del Sol. I felt quite envious of my classmates, who got to travel on an aeroplane and were guaranteed sunshine but, looking back, I think that spending rainy days in a caravan in Scotland and having trips out to Morecambe, Southport and Blackpool has made me feel more connected to the place where I was born. As I got older, I began to romanticise the typical English seaside resort because of their mix of joy, despair and faded grandeur. Of course this is present in a lot of small towns, but with the harshness of winter and idyll of summer by the coast, these extremes seem…amplified. This isn’t just some abstract feeling I have either. Although there are exceptions to this trend in prosperous locations, such as Brighton and Poole, the traditional British seaside town has long been in decline – offering the kind of unfashionably kitsch holiday that belongs to your granny and granddad’s halcyon days. A recent report called ‘Turning The Tide‘ details the deprivation present in the UK’s coastal towns – including the ones which haven’t been totally deserted by tourists. In a lot of these towns, the grand old hotels have since been converted into bedsits that are full of transients. Although I will always have a soft spot for Blackpool in particular, the reality of life there is pretty grim. In the series ‘Pierdom’, Simon Roberts focuses on Britain’s iconic Victorian piers, and his lens captures my feelings about these places perfectly. From wind-bitten, rusting structures to sun-bathed promenades, his photographs evoke the curious charm and essence of the British seaside.Hastings, East Sussex
More of Simon Roberts’ brilliant photography is on his website – there are more photographs from the Pierdom series, and you should also have a look at another project he has done called ‘We English‘, which focuses on English tourism in a much broader context.
Posted in Culture, Design, Lifestyle, Photography, Writing
Tagged 2013, aesthetic, architecture, beach, beaches, Blackpool, Britain, British beach, Britishness, caravan, childhood, community, cool, Costa del Sol, creative, creativity, decline, deprivation, design, England, entertainment, faded grandeur, family holidays, funfair, geography, holidays, identity, kitsch, Lancashire, leisure, Leonie Cumiskey, memoir, memories, nostalgia, nostalgic, oh we do like to be beside the seaside, old fashioned, opinion, patriotism, personal, photography, piers, retro, romance, Scotland, seaside resort, Simon Photography, Simon Roberts, structure, tacky, tourism, towns, tradition, UK
We’re so used to seeing vintage photography in greyscale or sepia tones, that it’s sometimes quite surprising to see genuine photographs of the past that portray history in colour. Here are some of my favourites that I’ve found – most of which were taken before I was even conceived!
These images of circuses during the between the 1940s and 1950s were taken from Taschen’s ‘The Circus Book: 1870-1950‘, which features the work of distinguished photographers such as Edward Kelty, Mathew Brady, Cornell Capa, Charles and Ray Eames, and even Stanley Kubrick.
Mindblowing shots of central London in 1961, by amateur (yes, really) photographer Charles W. Cushman. An alumnus of Indiana University, Cushman gave around 14,500 colour slides to his alma mater. The university has now archived these slides, and created a fully searchable database of his vintage colour photography.
These photographs show an amusement arcade from 1968 in Kansas City, Missouri. I guess they really loved their bunting, and the word ‘fun’, as both have been used liberally. All images are courtesy of the National Archives and Records Administration.
Although colour photography from the 1980s isn’t much of a big deal, I just had to include these amazing snaps of NYC by Steven Siegel. They have that same vintage feel to them, but their content is a bit more grittier than the cutesy amusement arcades and circuses of the previous decades.
Posted in Culture, Events, Lifestyle, Photography, Technology, Writing
Tagged 1940s, 1950s, 1960s, 1980s, Charles Eames, Charles W. Cushman, circus, clowns, colour, colour photography, Cornell Capa, curator, Edward Kelty, entertainment, film photography, funfair, leisure, Leonie Cumiskey, light, London, Mathew Brady, media, neon, photographer, Picadilly Circus, Ray Eames, Stanley Kubrick, Steven Siegel, Taschen, USA, vintage photography, vintage signs, writer
Yesterday, Mystery Jets unveiled their new nostalgia-drenched video for their single ‘Greatest Hits’.
Directed by Jem Goulding, the video sees the band experiencing all the thrills of the funfair…in the end though, Blaine falls asleep on a carousel, and the ex-girlfriend in question does a runner, literally riding off with all of his records.
Listening to the lyrics, it sounds like she managed to make off with at least these LPs:
The Lexicon of Love by ABC, Remain in Light by Talking Heads, It’s A Shame About Ray by The Lemonheads, Country Life by Roxy Music, No Need To Argue by The Cranberries, In The Aeroplane Over The Sea by Neutral Milk Hotel, The Boy With The Arab Strap by Belle & Sebastian, The Village Green Preservation Society by The Kinks, Double Nickels on the Dime by Minutemen, Band on the Run by Paul McCartney & Wings, McCartney by Paul McCartney and This Nation’s Saving Grace by The Fall…
Ouch. Definitely not fun, or fair.
Posted in Music, Writing
Tagged ABC, arguments, Belle & Sebastian, Blaine Harrison, breakup, couples, funfair, indie, Jem Goulding, LPs, lyrics, Minutemen, music, music video, Mystery Jets, Neutral Milk Hotel, new music, nostalgia, Paul McCartney, pop, records, retro, seaside, Talking Heads, The Cranberries, The Fall, The Kinks, Youtube